I dropped my Nikon Z50. Why did I replace it with another one

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Introduction- a personal tale

In September 2020, when everyone was weary of the COVID-19 pandemic, travel restrictions in California were lifted, allowing people to venture out. My birthday was approaching, and I asked Jeff, my late husband, to buy me a “mirrorless Nikon.” I didn’t have high hopes, though—Jeff wasn’t one to “waste” money on equipment. As a guitarist, he had owned the same guitars for 40 years, believing that “equipment needs to pay for itself.” He wasn’t very sympathetic to my desire to upgrade my camera gear before it had proven its worth as a financial investment, and it barely ever does.

On the morning of my birthday, I woke up early, intending to sneak out of our hotel room for some sunrise photography. As I tried to leave quietly, I heard Jeff murmur from beneath the cozy sheets, “There’s something on the counter you might want to take with you.”

On the counter, I found the most beautiful sight: a box containing a tiny Nikon Z50 and a Nikon Z lens adaptor! I was ecstatic. I started jumping around the room in excitement, charged the battery, made some coffee, and as soon as the battery was ready, I headed out for a fun morning of shooting.

I had my Z50 for almost four years and it has become my camera of choice for most still and street shooting situations. Last weekend, when I accidentally dropped it from a height and saw it shatter on the rocks below, I was heartbroken. After much consideration about what to buy as a replacement, I decided to… well, I decided to buy another Nikon Z50. And the reasoning behind this decision is the subject of this blog post.

Below are my reasons I bought the Z50 again.

Price

Everyone likes a brand new expensive toy full with bells and whistles but, quite frankly, you don’t need to spend $5,000 in a camera to enjoy photography. Unless you are shooting for the industry, in which case it’s your duty to show up with high end equipment, any SLR camera these days will produce exceptional photographs. I have a small photography business licensing images and selling prints, and I have never spent more than 1,000 on a camera.

Below are the approximate prices of cameras in the Z-line. Of course, the priciest cameras have more megapixels and more bells and whistles. Of those listed, the Z50 has a cropped frame, whereas the rest of the models (Nikon Z5, Z6 II, Z7 II, Z8, and Z9) are full-frame (FX) cameras.

Nikon Z50: $850; Nikon Z5: $1,400; Nikon Z6 II: $2,000; Nikon Z7 II: $3,000; Nikon Z8: $4,000; Nikon Z9: $5,500 ​​

Nikon offers two other cropped frame mirrorless, the Z30 and the Zfc, at equivalent prince points. I have not evaluated those cameras in depth and will not try to convince anyone that the Z50 is better than either. If you like a vintage look on your camera body, however, go for the Zfc. If ergonomics is favored, go for the Z50.

If you are not familiar with the differences between cropped and full frame cameras, Adobe has a good explanation.

Portability: Travel Light, Shoot Smart

One of the key factors that make the Nikon Z50 ideal for travel is its portability. Weighing just 395 grams (without the lens), it’s significantly lighter than most DSLRs and other mirrorless cameras. For comparison, the lowest end full frame Z-camera, the Z5, weights 675 g.

Discreteness: Capture Candid Moments with Ease

Travel, streets and event photography involves capturing candid moments and authentic experiences without drawing attention to yourself. The Nikon Z50’s discreet design is perfect for this. Its compact body doesn’t scream “professional camera,” allowing you to blend into the crowd and take photos without disturbing the scene.

The compact size of the Z50 also means that it easily fits into a purse, a small bag, or even large pockets, making it convenient to carry around discretely. In places where it is not too safe to hang out flashing an expensive camera, like San Francisco in CA (near where I live), or Rio de Janeiro (which I visit often), the Z50 allows me to shoot without calling much attention to myself, then clear the scene after putting the camera back into my purse.

Quality of the Kit Lens: Versatility and Excellence

The Nikon Z50 typically comes with the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens as part of its kit. This lens is a game-changer for travel and casual photographers, offering a versatile zoom range that covers most shooting scenarios. Here’s what makes it exceptional:

  • Wide to Standard Zoom Range: The 16-50mm focal length range (equivalent to 24-75mm on a full-frame camera) allows you to capture everything from wide landscapes to standard portraits. This versatility means you can travel with just one lens and still cover a wide range of photographic needs.
  • Compact and Lightweight: Despite its zoom capabilities, the kit lens is impressively compact and lightweight, perfectly complementing the Z50’s portable design. Its retractable mechanism further reduces its size when not in use, making it easy to pack away.
  • High Optical Quality: I’ve owned my share of crappy kit lenses, but this Kit lens delivers sharp, high-contrast images with minimal distortion, thanks to its advanced optical design. Although it does NOT deliver the same level of detail as a Z-lens prime, it is satisfactorily sharp, particularly around the edges (where other crappy zoom lenses tend to fail). This ensures that travel photos are crisp and vibrant, capturing the true essence of places. Furthermore, VERY SHARP IS NOT ALWAYS BETTER. This lens is great for family portraits, because it does not show every pore, hair, or skin blemish in great detail. People love it because this lens makes them look a bit younger.

Additional Features: Enhancing Your Travel Experience

The Nikon Z50 is packed with features that make it an excellent travel companion beyond just its portability and lens quality:

  • Built-in Wi-Fi and Bluetooth: These connectivity options make it easy to transfer photos to your smartphone for quick sharing on social media or with friends and family.
  • 4K UHD Video: Capture your travel memories in stunning 4K resolution, with various frame rates to suit different shooting styles.
  • Excellent Ergonomics: Despite its small size, the Z50 boasts a comfortable grip and intuitive controls, making it easy to use even during extended shooting sessions.
  • Weather Sealing: The Z50’s durable construction offers some resistance to dust and moisture, giving you peace of mind when shooting in different environments.
  • When paired with a Z prime lens, the Z50 delivers detailed, great quality images.

Where would I not take the Z50

Although the Z50 is a powerful camera for regular still photography, and I have taken about 1/3 of my portfolio (including my stock portfolio) with it, this is NOT a camera intended to shoot for the industry. The 21 megapixels may not be enough for professional photo shoots. It is also not a good camera to shoot wildlife, sports, or events such as moving parades, musicians in action, or anything that would be better served with AF tracking. For that I would take the Z8 or Z9, which have greater AF tracking capabilities, more megapixels and more bells and whistles.

Conclusion

The Nikon Z50 combines lightweight (395g) portability, discreteness, and high-quality performance, making it an ideal still photography and travel camera for photographers. Its lightweight design ensures you can carry it effortlessly, while the discreet appearance allows for candid and natural shots. The versatile kit lens enhances its usability, ensuring you’re prepared for a variety of shooting situations. With the Z50 and the kit lens in your bag, you’ll be ready to capture the world, one beautiful moment at a time.

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30 responses to “I dropped my Nikon Z50. Why did I replace it with another one”

  1. Steve Schwartzman Avatar

    Your girlish excitement dancing around the room upon receiving the Z50 as a birthday present is palpable. Too bad there’s not a video of it.

    There’s something to be said for traveling light. My equipment-filled camera bag (body, 3 lenses, flash, and some extras) weighs 14 lbs. and is arduous to lug around.

    Liked by 2 people

    1. Alessandra Chaves Avatar

      I can also make it into 20 pounds very easily. Usually however I don’t use all I carry when I carry much.

      Like

      1. Steve Schwartzman Avatar

        Same here. I seldom use my heaviest lens, the 4-lb. 100–400mm zoom, but I normally lug it around in the bag because once in a while it’s the only lens that will do the trick. When walking around in the extreme heat of our July trip, I often left the camera bag in the car and carried only the camera with one lens. We seldom wandered far from the car, so if necessary I could walk back and swap lenses if I needed to.

        Liked by 1 person

  2. howg2211 Avatar
    howg2211

    I can only imagine your dismay as you watched that first camera shatter. Happened to me once with a good lens. As you imply, it’s the photographer, not the camera.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Yes I was very sad.

      Like

  3. Tim Moore Avatar
    Tim Moore

    Put a professional camera photo side by side with the z50 and you would be hard pressed to tell the difference. The lens would make all of the difference and apart from shooting 250mph race cars with tracking AF I believe the right decision was made for you to have that particular camera.

    Liked by 2 people

    1. Alessandra Chaves Avatar

      Agreed. Particularly with a good prime lens, it’s hard to tell the difference in most circumstances.

      Like

    2. David Purton Avatar
      David Purton

      Of course it’s about the lens…and sensor resolution. But decreasingly so! With software like Topaz AI (others are available!) the gap between “super lens” and sensor size is narrowing. I re-edited some of my portrait work (nikon d700/ 85mm f1.8 usually)…and improvement in small detail sharpness like eyelashes was palpable..leaving the skin texture alone. Their up scaling puts into question if you ever need more than 12mp, particularly if you are unlikey to print much bigger than 20 x 16 in old money. I have all the film formats too…35mm/66/67/69…and keen to see what can be achieved from those large scans…perhaps close “the gap” between a Noritsu Lab scan and the much more expensive Flextight scan?

      Liked by 2 people

      1. Alessandra Chaves Avatar

        You’re right, software now compensates for a number of problems with cheaper lenses.

        Like

      2. JP Avatar
        JP

        I totally agree about Topaz AI. I did not want tobrake my exoensive DSLR on a trip to Peru a dew years ago, so i borrowed a little Canon point and shoot drom my bro-in-law. It had a 6 MP sensor. I got an awesome photo of old-fashioned street lamps in front of an important and picturesque building in the Plaza de Armas block in Lima. It looks anazing and now that I’ve run it through Topaz AI, I can hardly wait to print it 16 x 24 inches in platinum/palladium. Topaz AI is my new favorite tool!

        Liked by 2 people

      3. Alessandra Chaves Avatar

        You bet! No more need for super expensive gear for personal use and most print needs!

        Like

  4. David Purton Avatar
    David Purton

    How many times have I seen this? 45 years pro and never, ever, dropped a camera…or lens. (A ‘Blad film back did fall on the grass once as it was not fully attached…not bad for 45 years)…

    Here’s the thing, they are called neck straps…or tripods!

    Liked by 2 people

    1. Alessandra Chaves Avatar

      Yeah I did something stupid.

      Like

    2. Charles M Avatar
      Charles M

      Good for you. I’m absolutely certain that you’ve left many impressions as well in those 45 years.

      Like

  5. Pat Mann Avatar
    Pat Mann

    I concur 100% with your assessment of this little gem with its kit lens. The Z50 with 16-50 is a great camera to carry to complete the range for quick shots while using the Z8 with the 100-400 for birds and long-perspective landscapes or 14-30 for architecture and urbanscapes. If I feel a shot deserves maximum resolution I make the switch to full format, but the Z50 does the job 90% of the time.

    Liked by 2 people

    1. Alessandra Chaves Avatar

      Thanks for your input. I’m still very satis satisfied with my purchase!

      Like

  6. Brendan Avatar
    Brendan

    Are you tempted to replace it for the Nikon Z50II that’s just come out?

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Not yet, since I just bought this one,

      Like

  7. Charles M Avatar
    Charles M

    Sorry to hear about your late husband. The sentimentalist in me felt the loss of both the camera but also his gift considering his gesture given his utilitarian views.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Thank you.

      Like

  8. silverhalide9 Avatar

    I have taken my Z50 beyond it’s limits and have returned with multiple “hero images.” It has excelled for my fashion, photojournalism, sports, wildlife and portraiture. A 300mm F2.8 with a 1.7 tc is a magical combo for shore birds and eagles. I found a perfect all purpose combo lens, a Tokina 14-24mm f2. It’s sharp and has great color and micro contrast even at F2. The Nikon Z to F converter opens up the wide gamet of great world class Nikon glass to shoot with. Gianni silverhalide9 on InstaG.

    Liked by 2 people

    1. Alessandra Chaves Avatar

      Thanks for the tip about the lens!

      Like

  9. jim hughes Avatar

    The Z50 has been my go-to for 5 years. Although I also have a Z6, and it’s great in low light, without a doubt my most personally meaningful and satisfying shots have come from the Z50. With the addition of the 5-250 zoom it’s the ultimate travel kit.

    By now you’ve seen the Z50 II and probably realized there’s little if any reason to upgrade unless faster autofocus would really do something for you. It’s just the same sensor in a bigger, heavier body.

    Liked by 2 people

    1. Alessandra Chaves Avatar

      Thanks for your input. I am glad the so many photographers have reported that they enjoy this camera.

      Like

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    I like the look of the Z50. I have a Z5 and my crop body is the d3400, which happens to be the same weight as the Z50. I’m tempted by the light weight of the Z50!

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