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Folhas Secas, part three

I explain the basic differences in the leaves of tropical and Mediterranean-climate plants and show one of the sets-ups I use to photograph leaves when using artificial light.

Autumn Day 

Martis’ Creek Cabin near Tahoe last year was surrounded by yellow aspens and reminds me of the poem Autumn Day by Reiner Maria Rilke

Folhas Secas, part two

My first steps working on the project “Folhas Secas” included defining my vision, laying out a set of guidelines to work with, taking test shots, and finding a logical way to organize them.

Maria Comprida from Morro da Mensagem

This post is about Maria Comprida, a mountain peak that dominates the landscape view from Itaipava (Petrópolis, Brazil), and which is a good subject for black and white photography.

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