Photography Composition: Overcoming Resistance and Embracing Evolution

Published by

on

Backstory

I mentioned to some of my photographer peers that I was reading Yan Robert’s “ Mastering composition” to refine my composition skills. I was happy to refer the book and to communicate that I was learning something new. I described his method: take a photograph, then sketch the scene with simplified elements to work on the compositional details. Although we cannot build upon a sketch back to a photograph, I expressed that I wanted to train my eyes to identify the important elements in my compositions before clicking the shutter.

My endeavor did not get a lot of support, interest, or sympathy from my peers. Most pronounced themselves against following any “rules” of composition. In some cases I felt like I’d inadvertently hit a spot, some seemed upset.

Digging into my past memory, often when I mentioned the word “composition” in a positive way on social media, I got a push back from photographers. And that’s what today’s blog post is about.

Why don’t we, photographers, want to do the hard work?

Whereas painters spend a great deal of time learning to compose their canvases, many photographers just want to pick up the camera and go make art. It’s not uncommon among us to be ignorant about composition beyond emphasizing curves, diagonals, and the rule of thirds. This has us making the same photographs over and over again, in different places. And I ask, why are we so resistant to learning to build more complex compositions?

  1. Creativity vs. Constraints: One of the primary reasons photographers resist learning composition is the fear of being confined or restricted in their creativity. They worry that adhering too closely to established “rules” may stifle their ability to think outside the box and experiment with unconventional compositions. While creativity thrives on freedom, it’s essential to recognize that understanding composition serves as a foundation, providing a structure that can be creatively bent or broken when necessary.
  2. Personal Style and Expression: Every photographer develops a unique style and vision over time. This individuality is a result of personal experiences, preferences, and artistic goals. Some photographers resist learning composition because they believe it may dilute their distinctive style or lead to images that feel formulaic. However, mastering composition doesn’t mean sacrificing personal expression. Instead, it empowers photographers to communicate their vision more effectively by making informed choices about how to arrange elements within the frame.
  3. Fear of Conformity: In photography circles, there’s often a fear of conforming to established norms or trends. Some photographers resist learning composition because they want to avoid producing work that feels too similar to what others are creating. While this concern is valid, it’s essential to understand that mastering composition doesn’t equate to copying or imitating others. Instead, it allows photographers to understand why certain compositions work effectively and empowers them to apply this knowledge in their unique way.
  4. Laziness: These days no one wants to do the hard work. The complexity of composition theory can feel overwhelming. A sense of technical overwhelm can lead some photographers to avoid learning composition altogether, opting instead to rely on instinct or trial and error. However, breaking down these guidelines into digestible concepts and practicing them gradually can help alleviate this barrier.
  5. Embracing Evolution: Art, including photography, is a constantly evolving field. What may be considered a norm today might be challenged or redefined tomorrow. Some photographers resist learning composition because they believe in embracing the fluidity and evolution of art. While it’s true that artistic norms evolve, understanding the foundational principles of composition provides a timeless framework that can adapt to changing trends and styles.

In conclusion, the resistance that some photographers exhibit towards learning the rules of composition is multifaceted and rooted in legitimate concerns about creativity, individuality, and artistic evolution. However, by viewing composition guidelines as tools rather than constraining rules, embracing education and practice, and finding a balance between theory and intuition, photographers can harness the power of composition to elevate their work and communicate their unique vision effectively.

The FEATURED PHOTOGRAPH

The FEATURED PHOTOGRAPH, repeated below for convenience, is titled “let’s talk about composition“. In my head, I pictured a photographer teasing her peers about composition ;-). I took it at the UC Davis campus near the Veterinary Hospital. In the same area, there are a number of other installations featuring animals. How fitting!

AI-generated critique of my post

I have recently come across new features on WordPress. One is AI’s feedback on one’s post. Below is what AI has to say about the post above (the feature can be found under “post” at the bottom “AI Assistant” :

“The content provides a personal experience related to studying composition and addresses the resistance some photographers have towards learning composition rules. It also presents valid reasons for this resistance and emphasizes the importance of understanding composition as a foundational framework for creative expression. The writing effectively communicates the author’s viewpoint and encourages a balanced approach to composition, acknowledging both creativity and structure.

Actionable feedback:

1. Consider providing specific examples or visual references to illustrate the impact of composition on photography.

2. Include practical tips or exercises for overcoming the barriers to learning composition, enhancing the reader’s experience.

3. Encourage engagement by asking readers about their experiences with composition and inviting them to share their perspectives on the topic.”

______________________________

Wall Art Botanical Images

Wall Art Photography projects

Wall Art landscapes and miscellaneous

________________________________

16 responses to “Photography Composition: Overcoming Resistance and Embracing Evolution”

  1. Mark Wade Avatar

    Interesting read Alessandra. I agree, understanding the basic structure of a good composition is essential. Not because it forces a framing, but because it reveals options based on intent.
    “Intuition-only” ultimately is memory-based with a foundation of what the artist “likes.” The artist copies work they’ve experienced and seen. It is inescapable.
    Understanding how specific graphic elements, lighting and perspective can come together gives the artist the skill to hone the artistic message to its finest point imo.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      You have made a few valid points.

      Like

  2. stuartshafran Avatar

    Wow, I never realised that some photographers are reluctant to study composition. For me it’s a no-brainer, composition and lighting are the most important aspects of photography and are ‘must-study’ subjects. There are some really good books on composition out there including Michael Jacobs The Art of Composition. I haven’t read the one you recommended though. I can’t understand the argument that the rules of composition could limit photographic creativity or make people’s work look similar… that doesn’t make any sense. There are so many different ways to create a good composition, the rules (really guidelines) are there to help, not to limit.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Thanks for the book recommendation, I’ll look at it. Maybe the pool of photographers I know is biased toward rebelling against composition. It could be a more localized phenomenon.

      Liked by 1 person

  3. ddaveleft1 Avatar

    I really like this post. Musicians have some these same issues in being opposed to learning.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      I know. I’ve even heard musicians say that learning to read music would somehow make their playing worse. Go figure.

      Like

  4. howg2211 Avatar
    howg2211

    I think you need to have learned and had experience with the ‘rules of composition’ before you can break them in ways that work well.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Not everyone thinks like that. Some people think, if you’re gonna break a rule, why bother knowing what the rule is?

      Like

  5. Steve Schwartzman Avatar

    “In photography circles, there’s often a fear of conforming to established norms or trends.” I’ve often found the opposite to be true. After I moved to Austin in 1976, I became aware that “street photography” predominated at the University of Texas, thanks to Garry Winogrand, who taught photography there. Time after time I would go to an exhibition in Austin or look at images in photography magazines and see lots of Winogrand-image clones by other photographers.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Thanks for calling my attention to the beautiful work of Garry Winogrand!

      Like

  6. Steve Schwartzman Avatar

    “This has us making the same photographs over and over again, in different places. That’s something I’ve wrestled with, as I find myself naturally falling into making certain types of photographs. I have to remind myself to try something unusual (for me) from time to time.

    Even so, I’ve come to rely on the fact—confirmed by experience—that if I put myself out there often enough, magic sometimes happens, even without my doing anything intentionally different.

    Liked by 1 person

    1. Alessandra Chaves Avatar

      I think you do a lot of different stuff, particularly with the macros. Stuff I would not think to do. Good for you that you have innate creativity.

      Like

      1. Steve Schwartzman Avatar

        Thanks for your vote of confidence. Your pictures show that you have innate creativity too. We do what we can to bring it out.

        Liked by 1 person

      2. Alessandra Chaves Avatar

        Thank you. I think experimenting has something to do with it, even though it might mean that in 1,000 frames one turns out good.

        Like

  7. tierneycreates: a fusion of textiles and smiles Avatar

    I didn’t realize this about photographers. However all the photographic pieces I’ve seen that capture my heart definitely have great composition. I guess some people have a great eye but I would guess that many have studied some photographic composition techniques, etc. that led to a spectacular photo.
    An AI critique of your post? I am scared to do that for myself – I want to stay deluded I am writing clear posts – ha!

    Liked by 1 person

    1. Alessandra Chaves Avatar

      Yes, the AI critique is interesting. I’ll use it more often to see what kinds of things it comes up with. I wonder how it “sees” the photos.

      Liked by 1 person

Leave a comment

Discover more from It is all about the light

Subscribe now to keep reading and get access to the full archive.

Continue reading